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Pro-AIPerson

Queen Latifah

Rapper and actress

56years oldGen XBorn March, 1970

Grammy-winning rapper and Oscar-nominated actress who licensed a lifelike AI avatar to Lenovo for small-business ads and urges the entertainment industry “not to be afraid” of AI — even as she admits the same nervousness everyone feels.

  1. +2.5proHas published AI-made work
  2. +2.5proLicenses their data for AI training
  3. +2.4proUses AI in their work
  4. +1.4pro4 pro-AI statements (forceful)

Weights, statement counts, the ×1.25 multiplier for having a stake in an AI-impacted field, and the formula’s smoothing are already baked in — the points add up to the score: Strongly Pro-AI · 8.8/10

In her words

The technology is coming and it’s not going anywhere… What I would like to see is us utilize the technology to tell interesting stories and utilize it to make it better.
Deadline, 2025
It’s a bell we can’t un-ring.
Fortune, 2023
I feel the nervousness that everyone else feels … I think it’s inevitable.
Fortune, 2023

Biography

Queen Latifah (Dana Owens, born 1970) rose from Golden Age hip-hop — her 1993 hit “U.N.I.T.Y.” won a Grammy — into a wide-ranging career as an Oscar-nominated actress (Chicago), talk-show host, and producer. As both a recording artist and a screen performer, she sits squarely inside the industries wrestling hardest with AI likeness rights.

Owning her own avatar

In late 2023, Latifah partnered with Lenovo on its “Evolve Small” campaign, allowing the company to build a fully lifelike AI avatar of her that small businesses could summon into custom 15-second ads naming their shop. Rather than have her likeness taken, she chose to license it deliberately — framing the move as maintaining control over her own image. She told Fortune she feels the same nervousness as everyone else about AI, but considers its spread “inevitable” and “a bell we can’t un-ring.”

At the Red Sea International Film Festival in December 2025, she urged the industry “not to be afraid” of the technology, saying “it’s not going anywhere” and should be used to tell more interesting stories. She paired that optimism with a caveat — that “there will always be people who don’t use this technology in the right way,” and that protections are needed. It is a measured, consent-first embrace: not the anxious opposition of many peers, but not blind cheerleading either.

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Sources & further reading

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